"As The World Turns Black" is the name of Odium's album. Serious and very direct metal, extreme and technical many times, but perhaps completely unlabeled, with influences from heavy, thrash, crossover and hard rock and a lot of charisma, all this together with a super professional and high-level sound that stands out above all. This album has a professional performance in terms of final sound as a whole. Breaking it down, his voice is very brutal and somewhat incatalogable, I would like to say that it is a serious voice of metal, riff and very clever great melodies, a simple percussion that is coupled to the special extreme to all the music presented here. Seeking to refresh your mind of bands that may be pigeonholed in certain genres because I recommend this band is not more of itself and its sound is quite brutal.
Now we are going to review the album by Enragement the remembered Finnish practitioners of a highly technical and highly experimental death metal. "Atrocities" an album consisting of twelve extremely brutal, incredible and brutally frontal songs as usual, this album was released in April 2022. This time I was able to appreciate how "Ojanne" has evolved in voice and guitar, each time taking a higher level, "Livanainen" in voice and guitar as well, "Heinonen also collaborating with the voice and standing out a lot with the bass, this surprised me because is fundamental in the sound of the album, and Sannikka the drummer with a monstrous level, they form this great and enormous formation that makes this album completely captivate you, you listen to it in a single jerk calmly because song after song you want more, I recommend it.
Enragement This great band arrives from the capital of Finland, with a proposal based on death metal but with a lot of technique at times and in others with a lot of experimentation, a fairly condensed and dense sound that is super solid in terms of proposal. His album "Burned, Barren, Bloodstained" has 11 songs that go from the most frenetic to the most technical, making a very interesting sound that is really brutal and never tires you. This album that was made in June 2019 is a true piece for lovers of death metal that intertwines technique very well but without exaggerating. The voices never disappoint, sick and violent riffs at all times, frenetic percussion without any mercy and a sound that surrounds you from the moment you play the record, it has a characteristic that catches you, this band makes it extremely interesting since it doesn't It lets you change songs, it's a whole trip from coast to coast, recommended for those who love death metal but who aren't so basic but want something more from this great genre.
Shoot the Messiah is born in Amersfoort, Utrecht performing an acid and powerful and quite cynical death thrash metal kicking you directly ass. Active since 2015 and influenced by the hatred, death, war and all the garbage that we can notice in their compositions, these Dutchmen come to position themselves strongly in the extreme scene under. His 2019 album "Kill All Gods" is a savagery savagery too brutal in sound and proposal. We can define this album almost recently recorded in 2019 as a great and powerful sound that surrounds you and makes you start this year with all the brutality it deserves. impressive voices and strident strings, as well as a drums that never faint with all the voracity that this style deserves, thrash and death metal merge into one to give us a real kick in the face to all their sound. This does not mean that the band has a particular sound and a great execution and quality both in compositions and the idea to be projected to the one who listens to the album. New and ambient sounds linked to all the extremes of the genre without losing the melody. The important thing is that this material remains to appreciate and enjoy, I recommend that if you never lower your foot off the accelerator is inevitable.
Schöneck Germany witnesses the birth of Mannschoch since 2015 is a band that walks through black and death amalgamated with the avant-garde, their album Wolfsweihe it is truly a jewel of the under and tosa that music that when experimenting with extreme metal becomes a necessary proposal to enjoy. "Wolfsweihe" an incredible madness, lakes themes that are hymns powerful and that crush peace in a bloodthirsty way, strings that crush everything in its path, a battery that runs frantically towards the great madness and voices from the same abyss, and gives us an atmosphere that leads you to hallucinate in each of the passages of the album. Very apocalyptic and enveloping sound you are caught by the dark atmosphere and death, avangarde as soon as you start spitting out all its dishes, without having anything to envy to better known bands of the scene, and really produces a huge impact on its sound all the chaos that you are perceiving theme after theme without being able to escape from so much evil. We can highlight all the dark atmosphere of the great Italian band and we can make it clear that few bands of this scene that is growing, I mean the germanys has this level of depth and that great interest that can generate you to listen and inquire more about this proposal, I can recommend.
Profanity
shows in this album a Technical Death Metal on the line Atheist, Death,
Suffocation on the third album of the band, with a battery of well broken parts
and against time perfect where I could notice all the rage and technique in the
track "Who Leaves Stays", another very technical and devastating
track is "Recreating Bliss" again with well diversified riffs and
many broken ones in the sound, battery with a lot of variation, this album is
composed by six destructive bands are them : "The Great Obstacle,"
"Who Leaves Stays," "Mouth of Nepotism," "Recreating
Bliss," "Specific Souls," and "Better Left Alone in a total
of 40 minutes of spanking ranging from 5 to 7 minutes per track. a great work
by musicians Thomas Sartor (Guitars, Vocals), Daniel Unzner (Bass), Armin
Hassmann (Drums). Profanity is on a plateau of world death metal's elite bands
for their perfect songs, well composed and very professional. The art of
sickness also has a fine art of its cover, very brutal, as well as the
predecessors. In fact "The art of sickness" is among the best albums
of the style last year, brutality, technique, weight in a mix between the
technician and current with the old school of death metal.
Profanity
- “The art of sickness” Apostasy Records Banda Ativa desde 1992. Profanity mostra nesse
album um Tecnical Death Metal na linha Atheist, Death, Suffocation no terceiro
album da banda, com uma bateria de partes bem quebradas e contra tempo
perfeitos onde pude notar toda a furia e tecnica na faixa "Who Leaves
Stays", outra faixa muito tecnica e devastadora é "Recreating
Bliss" novamente com riffs bem diversificados e muitas quebradas no som,
bateria com muita variação, este album é composto por seis faixas destruidoras
são elas: "The Great Obstacle", Who Leaves Stays", "Mouth
of Nepotism", "Recreating Bliss", "Specific Souls" e "Better
Left Alone em um total de 40 minutos de pancadaria que variam de 5 a 7 minutos
por faixa. um òtimo trabalho dos musicos Thomas Sartor (Guitars, Vocals),
Daniel Unzner (Bass), Armin Hassmann (Drums). Profanity esta num patamar de
bandas da elite do death metal mundial por suas musicas perfeitas, bem
compostas e muito profissional. The art of sickness tambem conta com uma ótima
arte de sua capa, muito brutal, assim como as antecessoras. De fato "The
art of sickness" esta dentro dos melhores albuns do estilo no ano passado,
brutalidade, tecnica, peso em uma mistura entre o tecnico e atual com pitadas
da velha escola do death metal.
Krylithsic
– “Beast of the Northern Hemisphere" promo demo 2016 (Indpendent) in
digital format. Erik (Vocals, Guitars), Elmo (Vocals), Sascha Hengst (Bass),
Simon Lang (Drums), show in this work a Technical / Brutal Death Metal in 6 destructive
tracks and techniques starting with the intro "Inauguration Of The
Imbeciles", followed by the devastating "Simplicity Of The
Obvious", "Strive For Thy Throne", "the track titled"
Beast Of The Northern Hemisphere "(very technical)," Iniquity in a
Carnal Shell "," Spread Eagle "a great band and a great job.
Let's be waiting for a Full-length.
InnerSphere from Pilsen Czech
Republic, we get the surprising and very brutal death metalheads. The disc that
we break down below is "Amnesia", a true work dedicated to very
technical death metal and with very melodic passages but without losing the
bestiality in its sound. This album was recorded entirely in the studios
"The Barn studio" with an impeccable and totally professional sound
making it stand out in its sound as an excellent band. Mixed and materialized
by "Dan Friml" well known in the extreme environment. A great record
for that 2018 under (Metalgate Records) to help procreate this huge long
duration. Songs like: "Tell Me", "Impure",
"Asylum" are such cutting-edge themes that mix the most extreme with
the most epic making you travel through music and making it an unparalleled
experience, and a true work with the closing of the album " Deceased.
" A battery that is very pronounced in all the sound of the album never
fades, a voice that never rests or dies among so many brutal notes, and deadly
strings both in the extreme crushing, as in the melodic, that make a
conjunction as brutal as the atmosphere same of the band, making it unique and
very different from the others. Highly recommended if you want a dose of
brutal, but different, extreme and melodic death metal, with a journey beyond
the extreme an overwhelming experience.
Bloody Violence - Divine Vermifuge It’s very VERY technical brutal Death
Metal stuff!!! It can smash your brain I mean it! The guitar work is in the
first place here. In all tracks it’s sweeping over and over again and only
sometimes changing into groovy riffs. Bass also follows guitar as well but it has
the second role here. Vocal is also good though typical for brutal Death: it is
low growling and guttural sometimes changing into scream. For sure “Divine
Vermifuge” is very strong and interesting release but I permanently felt a lack
of fat in sound probably because of only one guitar playing sweeps permanently.
However it’s a matter of taste.
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