Editor: Carlos Leo "TchorT"
Postal address:
Carlos Leo "TchorT"
Calle Pacasmayo 142 ( 2 Piso )
La Perla - 07016
Callao - Perú
Official Pages:
Thursday, October 1, 2026
Warfield (Germany)
Warfield (Germany)
CD."With the Old Breed"
CD."With the Old Breed"
Warfield was founded in 2012 when bassist Frederik Pütz joined Johannes and Matthias Clemens and Dominik Marx, who had already been playing together for several years. Inspired by the legacy of German Thrash Metal, the band quickly forged a sound defined by speed, precision, and unfiltered energy.
After early shows, Dominic Potts joined on second guitar. The debut EP. "Call to War" followed in October 2014 via IMM-Records/Membran. In early 2015, Ethan Stokes took over on bass and contributed to the single "Barrage Fire" and its accompanying video.
By the end of 2015, both Potts and Stokes had left the band and Marc Hirschbach filled in on bass for live duties. Warfield went on to perform relentlessly across Germany and neighboring countries from club stages to festivals earning a reputation as a high-energy live act and workhorse of the underground scene.The band entered the studio in Kaiserslautern in early 2017 to record their debut album "Wrecking Command", released in April 2018. Combining new material with reworked tracks from their first EP, it marked a key step in establishing Warfield’s fierce and uncompromising sound. In the years that followed, Warfield expanded their reach far beyond their home base touring the Czech Republic with Insanity Alert. They shared stages with The Exploited, Abbath, Hypocrisy, Opeth, and many more further cementing their standing as a dynamic and dedicated live force in today’s thrash landscape.
In 2024, Warfield signed with Napalm Records and released their second studio album "With The Old Breed" in April 2025 an album that captures more than a decade of dedication, endurance, and passion for authentic Thrash Metal. In early 2027 they're going on tour together with Thrash Metal powerhouse Evil Invaders and genre veterans Heathen and Exhorder all across Europe.
Syn Ze Șase Tri (Rumania)
Syn Ze Șase Tri (Rumania)
CD."Ultimu' lup"
Syn Ze Șase Tri is a Romanian symphonic black metal band formed in 2007 in Timișoara, Transylvania. Their music combines black metal with orchestral arrangements and elements of Romanian folklore and mythology. Their main themes are Romanian mythology, war, ancient Dacian warriors, and Transylvanian legends.8
The name "Syn Ze Șase Tri" roughly translates to "I am with the triple six." The band was founded by Alex "Corb" Mihai, guitarist, composer, and responsible for much of the orchestration. Corb also had ties to Negură Bunget, one of the most important Romanian extreme metal bands.
From their earliest work, Syn Ze Șase Tri developed an identity closely linked to the history and traditions of their country. The compositions tell stories of warriors, gods, sacrifices, battles, death, and ancient beliefs, with a strong Transylvanian atmosphere.
The band itself describes its concept as "Transylvanian Legends", also employing its own narrative centered around the character of Alastor. Their concerts incorporate a theatrical stage production inspired by these legends.
Musically, they feature aggressive black metal guitars, extreme vocals, keyboards, orchestrations, and occasionally traditional instruments such as bouzouki, mandolin, and pan flute. In "Sub semnul lupului", for example, guest string and wind musicians participated, considerably expanding the symphonic component.
The band's official discography includes these five studio albums.
"Între Două Lumi" (2011)
"Sub semnul lupului" (2012)
"Stăpîn peste stăpîni" (2015)
"Zăul Moș" (2017)
'Ultimu' lup" (2022)
"Între Două Lumi" was the debut full-length, released on April 1, 2011 by Code666 Records. It contains ten songs and lasts approximately 43 minutes; Among his songs are “Ziua din urmă”, “A vieții roată” and “Între două lumi”.
"Sub semnul lupului" (2012) delved into the mythological and symphonic concept. The album featured numerous guest musicians, including violin, viola, cello, trumpet, trombone, and tuba.
"Zăul Moș" was released in (2017), also through Code666 Records.
Their most recent album is "Ultimu' lup" released in September (2022). It includes songs such as "Hâtri", "Din om neom", "În chip hain", "Blestem de fiară", "Ultimu' lup", and "Negru".
The most consistent member is Alex "Corb" Mihai, who has been with the band since 2007 and handles guitars, keyboards, orchestrations, and other instruments. Vocalists associated with different eras include Mihai "Lycan" Deliu and Andrei Salăgean; the lineup has also undergone numerous changes over the years.
Syn Ze Șase Tri occupies a unique place within Romanian black metal because, instead of simply reproducing the genre's traditional aesthetic, they built an identity around the mythology and historical imagery of Transylvania and Dacia. The result is atmospheric, epic, and theatrical black metal with a distinctly Romanian character.
Insurrection (Neatherland)
Insurrection (Neatherland)
EP."Exiled to Earth"
Insurrection "Exiled To Earth", the 2023 EP. by Dutch melodic death/thrash metal band Insurrection, from Leeuwarden, Netherlands. It was released on December 22, 2023 through Tunnelgeur Records.
EP."Exiled To Earth" (2023)
Tracklist:
Hopeless World Below 4:47
The End Of Honesty 4:24
In Terram Extorres 5:16
Crimson Skies 3:16
The EP. mixes melodic death metal, thrash metal and some metalcore/groove elements. Reviews specifically note the breakdown in "The End Of Honesty", the atmospheric synths/orchestration in "In Terram Extorres", and the more circle-pit-oriented "Crimson Skies".
The Frisian 4-piece band Insurrection has made their second full length called "Circles Of Despair". The melodic death/thrash band from the northern part of The Netherlands, has been building a lot of publicity. Very professional artwork and good publicity. Released through BigBadWolf Records, the cd has been sitting in my collection for a short while. So thanks to BigBadWolf Records for sending the cd to me to get it reviewed. So, when I see the term melodic death/thrash, I hope that the band is professional enough to hire a good producer. So let’s dive in.
From the first few seconds you will notice that Insurrection did manage to get a very good producer and a great final mix. The sound of the voice of Marten is very unique and very well mixed. The thing is is that you might have to get used to Marten his vocals because they change very often between ‘Ball-squeezed’ high-pitched thrash metal vocals and death metal growls. But the instrument that really sticks out, are the drums. Douwe is absolutely destroying those drums with his amazing double bass patterns.
The album has certainly got some memorable moments and high paced music is changed at the right moment with some more melodic elements in the music. Otherwise it would've been a lot more boring. It also shows that Insurrection absolutely know what they are doing, musically wise. It is unique to see a young band like Insurrection, have such a professional take on their music like they do. It shows that they’re eager to take this way of music seriously.
Insurrection have improved a lot since their last album EP. "Catatonic" in every way possible. They took the professional way and you hear and see that. They are no longer that thrash band from the north. They are one of the best young Dutch death/thrash bands from The Netherlands.
Inaara (Usa)
Inaara (Usa)
EP."Manifest"
Inaara is a metal band from Madison, Wisconsin, USA, formed around 2021. Their music sits primarily in the modern metalcore / death-metal spectrum, combining crushing rhythm guitars, breakdowns, heavy vocals and atmospheric, haunting melodies.
The band describes its music as an evolving mixture of aggressive riffs, powerful rhythm sections and layered melodies, with lyrical themes centered on fear, angst, determination and resilience. Their style also incorporates elements associated with theatrical metal and emotionally driven post-hardcore.
Inaara released its five-track EP. "Manifest" on December 1, 2025. The tracklist includes: "Can't See the End", "This Is What I Get", "Pain and Suffering", "Reduced to Nothing", "Death/Rebirth".
The standalone single “Death/Rebirth” was released on May 21, 2025.
Inaara is particularly characterized by:
Metalcore foundations Death-metal/deathcore-influenced heaviness, Frequent breakdowns, Crushing, groove-oriented riffs, Haunting melodic passages. Emotionally intense and story-driven songwriting.
Avernus (Usa)
Avernus (Usa)
CD ."Grievances"
Avernus is a cult American band formed in Chicago, Illinois in 1992 considered one of the pioneering groups of the combination of Death/Doom Metal, Gothic Metal, Atmospheric Metal in the North American underground scene. Their sound was distinguished from the beginning by incorporating dark atmospheres, melancholic melodies, gothic elements, and a strong emotional charge. The first lineup consisted of Rick McCoy (vocals/guitar), Rick Yifrach (drums), Roberto Franco, Anthony Volpe, and Erik Kikke. The group developed a sound that stemmed from Death/Doom but incorporated influences from Paradise Lost, Dead Can Dance, and Cranes.
Among their early recordings, "A Delicate Tracery of Red" (1993) stood out, followed by the acclaimed "Sadness" (1994). The latter helped establish Avernus' reputation within the American and European underground. The band also added vocalist Kimberly Goss, who would later become known for her work with Ancient, Therion, Dimmu Borgir, and Sinergy.
One of the important moments of this period was "Godlessness," a song included on Metal Blade Records' Metal Massacre XII in 1995. The track showcased the progressive incorporation of more melodic and gothic elements into the band's initial Death/Doom sound.
In 1997, Avernus released their first full-length album, "...Of the Fallen", through M.I.A./Olympic Recordings.
The album delved considerably deeper into gothic and melancholic atmospheres, moving somewhat away from more traditional Death Metal.
The album featured Rick McCoy, Erik Kikke, Roberto Franco, Tony Volpe, and Rick Yifrach, in addition to keyboards and backing vocals. Among its standout tracks are "If I Could Exist", "By Loves Will...Chaos", "Renaissance", "Ghost", and "A Thousand Spirits".
During the following years, the band underwent lineup changes and struggled to solidify their career. They eventually entered a long period of inactivity, although Rick McCoy kept the project alive.
Avernus reunited during the 2010s, gradually returning to their original vision. After years of work and songwriting, the reconstructed lineup began preparing new material.
The result was "Grievances", a ten-song album that recaptured their characteristic combination of atmospheric death/doom, melody, gothic metal, and dark, emotional passages. The album was released by M-Theory Audio in 2024, after a lengthy recording process.
Discography:
"A Delicate Tracery of Red" (1993)
"Sadness" (1994)
"Godlessness" (1995)
"A Farewell to Eden" (1996)
"...Of the Fallen" (1997)
"Grievances" (2024)
Avernus occupies a unique place within the American underground of the 1990's. Although they never achieved the popularity of bands like Paradise Lost or My Dying Bride, they developed their own identity by combining death metal, doom, gothic rock, and cinematic atmospheres. Their music evolved from a relatively raw death/doom sound towards a much more melodic, depressive, and experimental style.
Regnum Noricum (Austria)
Regnum Noricum (Austria)
So far, Regnum Noricum from Linz. The band was founded in 2014, purely for fun, or rather, for the fun of extreme metal. Their debut, "Norici Erbo," which we briefly talked about, was released in 2017. Then two guitarists left, two new ones joined, and COVID was here to stay. However, there was a lot to do during the pandemic, so the single "Eternal Wandering" was released in 2023, produced by Hardbeat.Studious, and now we're in 2025, welcoming the new year with the Upper Austrians' second album, "Lost Legacy."
The lyrics aren't about the devil himself this time either, but rather a look back at our Celtic past. Roman soldiers loot Celtic tombs (they're called "tumuli" here in southwest Styria.) and are struck by a curse, Celtic culture is supposedly repressed and abandoned to its fate, Esus is praised, Christians arrive, potions are brewed, Samhain is celebrated, and the Wicker Man also appears. I like these approaches: no Satan or nationalism for once, as has happened a thousand times in black metal.
For me, the album starts off rather inconspicuously with "Malediction." I think a faster song would have been a bit more appropriate, especially since the six-and-a-half-minute track is the longest on the album. When things get up to speed, Regnum Noricum really unleashes a very relaxed black metal explosion. The sound, very natural, is harmonious. It's not poorly produced, but simply appropriate. This is what a drum kit can sound like, dear metalcore fans. When the guitars start riffing, it vibrates wonderfully (I wonder if our German readers will be able to understand that? I don't know...). The vocals may not be a huge revolution in black metal, but they're just mean enough to convey the lyrical themes in an unpleasant way.
In fact, I think the entire album is good from start to finish. There's even a minor hit with "As The Cross Came To Our Land." However, "Samhain," which features Rauhnacht, is a song I'm not convinced by. Perhaps it's because of the German vocals; I can't stand my native language sounding harsh in black/pagan/folk metal. Yes, German is used elsewhere, but I noticed it especially in this song.
However, the guys do it quite skillfully, mixing a lot of variety with convincing songwriting. Nothing seems half-hearted, nothing arbitrary. You can tell they have quite a bit of songwriting experience; a solo like the one on "Inside The Wickerman" isn't something you just improvise. The resolution of this solo can be described as solid. The mid-tempo transitions to uptempo, like in "Lost Legacy," are brilliant. The song also has a great chorus.
Rarog'g (Poland)
Rarog'g (Poland)
CD."Homo Ad Fundum"
CD."Homo Ad Fundum"
Rarog'g "Homo Ad Fundum" from Poland is a well-executed black metal album that blends traditional elements with immersive and grim atmosphere. The album features tight, powerful performances and impressive riffs and melodies. It draws inspiration from bands like Bathory, Gorgoroth, Behexen, Sargeist, and Horna, creating a unique sound. The production is also noteworthy, enhancing the album's overall impact. The album successfully integrates traditional black metal elements, but they are executed in a way that feels fresh and engaging. The music is filled with a dark, atmospheric quality that adds to the overall listening experience. The band's performance is tight and powerful, delivering impactful riffs and melodies. The album showcases influences from various established black metal bands, but manages to create a unique sound.
The sound quality is top-notch, bringing out the best of the band's musical essence. In short, "Homo Ad Fundum" is a strong black metal album from Poland, praised for its atmosphere, musicianship, and production, making it a highly recommended listen for fans of the genre.
Ontborg (Italy)
Ontborg (Italy)
CD."Following the Steps of Damnation"
Ontborg's "Following the Steps of Damnation" The album classic elements of melodic death metal with a touch of melancholy and a distinct atmosphere. The guitar work is a highlight, with plenty of catchy and ominous riffs that stick in your head. The album is well-produced and features impressive artwork by Juanjo Castellano, adding to the overall atmosphere. While most of the album maintains a mid-paced tempo, it flows well and avoids feeling stagnant. The album draws heavily from the Swedish melodic death metal sound of the 90s, particularly bands like Dismember and Benediction. Despite its influences, Ontborg manages to create a sound that is distinctly their own. Some might find the consistent mid-tempo pacing to be predictable or lacking in variety.
The CD."Following the Steps of Damnation" is a highly recommended album for fans of melodic death metal, particularly those who appreciate the Swedish sound of the 90s. It's a well-crafted album with memorable moments, a strong atmosphere, and a distinct identity. The album's professional presentation and artwork further enhance the listening experience.
Leviathan A.C. (Spain)
Leviathan A.C. (Spain)
CD."God’s Failure"
Leviathan A.C was formed in Venezuela in 1999, forged in primordial darkness, blasphemy, and the underground. During its early years, the band released four recordings, most notably God’s End is the Path (2005) through Manitu Records, accompanied by extreme live performances in Venezuela and Colombia.
In 2009, the band signed with the Swedish label Salute Records and released Through the Unholy Rules We Shall Rise, solidifying a raw, hostile, and more compositionally refined Black Metal sound. Following the relocation of Nebirus (vocals/guitar) to Spain, the project entered a long period of silence until its rebirth in 2024 with the EP The Rise of Leviathan, an impious and oppressive work that restores the sonic violence of the band’s early days.
Currently, Leviathan A.C is preparing the release of the album God’s Failure (January 23, 2026), issued by Vacula Productions, Artes Negras Prods, Impaled Records, and Nekromantra Records. With a renewed lineup, the band is ready to return to the stage, channeling devotion and blasphemy through absolute Black Metal rituals, without compromise or redemption.
Leviathan A.C. (Spain)
T: Why the name Leviathan A.C? Any special meaning and who chose it?
L: Leviathan A.C represents the primordial chaos, the force that exists before and after any god. It symbolizes the negation of imposed order and religious morality. A.C. stands for Anti-Christ/Ancient Cult. The name was consciously chosen by the band from the very beginning as a declaration of principles.
T: What bands and styles have influenced you since you decided to form the band?
L: Mainly the Norwegian, Finland, Greece, Ukraine and Polish Black Metal scenes. Bands like Bathory, Hellhammer, Venom, Marduk, Enthrone, Gorgoroth, Tsjuder, Sargeist, have been important influences. We do not seek to imitate anyone, we absorb those influences and reshape them into something that belongs to us.
T: What do you hope to achieve with your musical proposal when it is heard in other countries around the world?
L: We are not looking for approval or commercial recognition. Our purpose is to transmit darkness, hatred toward religious dogma and the spirit of rebellion. If someone somewhere in the world connects with that energy, that is enough.
T: Why did you enter the world of metal and what keeps you motivated?
L: Extreme metal has always been a channel for liberation, spiritual violence and a break with imposed structures. We continue because this is not a trend or a temporary phase. It is a way of existence.
T: How would you define your music?
L: Violent, blasphemous and hostile Black Metal. Organic and savage. No compromises.
T: Who is in charge of the artwork for your CD cover “God's Failure”?
L: The artwork was created by a great underground artist called Jhon Quevedo, also creator of the Leviathan logo at the band's inception at 1999 close, who fully understood the anti-religious and decadent concept behind the album.
T: What can you tell us about the experience of recording your CD “God's Failure”?
L: It was an intense and obsessive process. We wanted a sound that felt real, aggressive and dark. The goal was not to polish everything artificially, but to preserve the raw brutality of the music.
T: What are the lyrics of your CD “God's Failure” about?
L: The collapse of gods, the deception of faith, human decadence and the supremacy of chaos over divine order.
T: Which do you prefer writing lyrics or music?
L: Both are essential, but the music usually comes first. The music opens the wound and the lyrics infect it.
T: What inspired you to write the lyrics for the songs “Embrace Of Eternal Darkness” and “God Is Dead”?
L: Absolute rejection of religion, nihilistic philosophy and the conscious embrace of darkness as the only honest truth.
T: What is the relationship between the EP.“The Rise Of Leviathan” and the CD.“God's Failure”?
L: The Rise Of Leviathan was the awakening of the beast. CD."God's Failure" represents the next step, a more mature, brutal and defined manifestation of our sound.
T: What significance does the cover of “God's Failure” represent and who created the artwork?
L: The image symbolizes the collapse of Christian dogma and the decay behind its supposed divinity.
T: How has it been working with the labels? Have you received the support you expected?
L: Within the underground scene the experience has been correct. As long as our artistic vision is respected, the collaboration works.
T: How did you get in contact with Vacula Productions, Arte Negras Prods, Impaled Records and Nekromantra Records? Have you signed for any other albums?
L: Through the usual underground channels, personal contacts and mutual support within the scene. Everything developed organically.
T: What currently inspires the band to continue working in the underground Black and Death Metal scene?
L: The need to keep the spirit of true Black Metal alive, far from trends and commercial expectations.
T: What motivated you to venture into the world of metal and what keeps you motivated to continue?
T: Rage, isolation and a deep rejection of imposed beliefs. That same energy still drives the band today.
T: How did your latest CD.“God's Failure” go? I hear a very technical evolution and a more brutal Black/Death sound. What do you think about it?
L: We see it as a natural evolution. The album is more aggressive, more technical and more focused than our previous material. It represents a stronger identity for Leviathan A.C.
T: How many copies were made of your CD.“God's Failure”? And how many have been sold?
L: It was released as a limited underground edition. Most of the copies have already circulated through the scene.
T: What can you tell us about the scene in La Rioja, Spain? Do you think it is less known than other European scenes?
L: It is a small scene, but persistent. It may not be widely known, but there is dedication and authenticity behind it.
T: What other bands in Spain do you see with future projection in the scene?
L: There are many strong underground bands in Spain. There are many bands in the shadows. To name a few within the Spanish Black Metal scene, I could mention: Numen, Balmog, Empty, Regent Death, Saetaier, Ouija, Xerion, Nakkiga, Grimuack, Hrzigh, Blazemth.
T: What do you think about the national Black/Death Metal scene in your country?
L: It is powerful and often underestimated.
T: What continues to motivate the band to stay active on the extreme scene in Spain and worldwide?
L: The need to create something real and dark.
T: Would you like to come to South America one day to spread your music there?
L: Absolutely. South America has always been a stronghold for extreme metal and true dedication to the underground spirit.
T: What is the new thing Leviathan is preparing to record?
L: We are preparing a strong repertoire for those live performances, something powerful, full of force, and solid in sound. We want to create an experience where the audience immerses themselves in dark atmospheres, taking them on a journey to the underworld from the beginning to the end of the concerts, making our dedication to rehearsals and our total commitment evident in these sonic and visual rituals within the most blasphemous Black Metal.
T: Thank you very much for answering the interview for “The Legion Of TchorT” 'Zine. Any final words for our readers? Where can they get merchandise from your band?
L: Extreme metal is not entertainment. It is a form of spiritual warfare.
Thanks to everyone who continues supporting the underground and keeping the flame alive.
Our merchandise and releases can be obtained through direct contact with the band and our underground distribution channels.
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